Jupiter, Issue 20, April 2008 | Jupiter, Issue 21, July 2008 |
A review by Rich Horton
A continuing series of stories that I've enjoyed is by Gareth D.
Jones, about the effect of an automated road-building machine that was accidentally (it seems) activated in an apparent
post-holocaust type of world. The third and fourth stories appear in these two issues:
"Roadrider" and "Roadruler." In "Roadrider" some adventurous men discover the source of the machine, as the links between
various cities are enhanced. And in "Roadruler" a political dimension is introduced, as the potential abuses of the road
use system are lightly touched on; as well as the stresses of uniting several villages under a single ruler. These
remain enjoyable, but they have become a bit sketchy, and not quite unified enough as stories.
In issue XX I also enjoyed Ralph Greco, Jr.'s "The Humming Place," in which a simple farmer meets visitors from the
future; Gustavo Bondoni's "Pride and Joy," in which a woman tries to find the baby taken away from her by a government
trying to fight a war; and George Newberry's "Descendance," about an AI that had been running a ship trying to reintegrate
into society after the war is over. I didn't find the other stories as successful: Jens Rushing's "Asymptote" is a brief
piece about a man who seems to have ruined his relationship with his best friends: a man and a woman, and the disastrous
space flight that result; Sim Waters's "The Day Draws Nigh" is a fairly familiar depiction of the end of the
universe; and Neil J. Bynon's "The Mine"
has a group of speculators trying to find buried treasure in the ruins of (apparently) our civilization.
Issue XXI was highlighted by James Lecky's "Deepest Black," about a person who was apparently created by a corporation
for special purposes, and who has tried to come to terms with his alienating but also potentially transcendent abilities
over the years; and by Mike Wood's "Fred and Ginger," a sweet story about a man pursuing a lost love across worlds and
time dilation issues. Terry Grimwood's "Epeius's Egg" concerns seductively attractive mysterious eggs offered for
sale -- the resolution is fairly well done but quite predictable.
And Christopher Lockhart, in "The Big Picture," tells of a soldier marooned on a disputed planet, who never realizes
what we learn about his nature.
As I've said before, the unifying characteristic of the stories in Jupiter is a certain old-fashioned
attitude -- the plots and the science fictional ides seem redolent of the 50s fairly often. (Only Lecky's "Deepest
Black" has a 2008 feel to me.) But this isn't always bad -- the best of these stories, though never quite outstanding,
are sound entertainment.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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