| Bright of the Sky | ||||||||
| Kay Kenyon | ||||||||
| Pyr, 480 pages | ||||||||
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A review by Greg L. Johnson
When a physics experiment with anomalous results drives an AI insane, the door is opened to the possibility that Titus Quinn may
not be crazy after all. Quinn had disappeared with his family, in a spaceship, only to found later, his wife and daughter missing,
and little memory of what had happened to him. Convinced he had been gone for years, tests showed he was the same age as when he left.
Quinn had actually broken through to the Bright, a universe parallel to ours, inhabited by many species and ruled by the
Tarig. He is sent back, and as he re-learns the language, his memory returns. His daughter is alive but enslaved, his wife dead.
This is a barest bones description of the depth and breadth of this terrific novel. Quinn's quest to free his daughter is quickly
compromised and complicated by politics and adversaries alien and human. The Bright itself is a classic piece of world-making,
a manufactured universe in the shape of an immense river-valley, contiguous in scope with our own. And Kenyon has created a
culture for the Bright that is every bit as strange and alluring as the world it occupies. The Tarig, who rule it all, are
powerful, smart, unchallenged in their universe, and dangerous.
Bright of the Sky is the first in a series, no doubt there are plenty of complications to come, and more secrets to be
unveiled. For now, it's enough to know that Quinn's actions are complicated not only by the Tarig. but also by the corporation
he and his brother work for. The people of the Bright have long feared discovery by the people of Earth, there is some
justification for their fear.
For readers of science fiction, it should be enough to know this: here is another of those grand worlds whose mere idea invites
us in to share in the wonder. Bright of the Sky enchants on the scale of your first encounter with the world inside of
Rama, or the immense history behind the deserts of Dune, or the unbridled audacity of Riverworld. It's an enormous stage demanding
a grand story and, so far, Kenyon is telling it with style and substance. The characters are as solid as the world they live
in, and Kenyon's prose sweeps you up and never lets go. On its own, Bright of the Sky could very well be the book
of the year. If the rest of the series measures up, it will be one for the ages.
In case you couldn't tell, reviewer Greg L Johnson kind of liked this one. His reviews also appear in the The New York Review of Science Fiction. | |||||||
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