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The interviews are sorted alphabetically by authors' last name -- one or more pages for each letter (plus one for Mc). All but some recent interviews are listed here. Links to those interviews appear on the An Interview with... Page.

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Neil Gaiman Spooky Coincidences: an interview with Neil Gaiman and Tad Williams
conducted by Sandy Auden
"I kept finding myself thinking about Cape Wrath. Then I started buying archaeological books about the Vikings in northern Scotland. I actually thought I'd write a Neverwhere story, but I soon realised that I was about to write a story about Shadow."

Neil Gaiman Neil Gaiman
An interview with Lucy Snyder
Lucy spoke with Neil Gaiman following his 6-week-long, 21-city Stardust signing tour. Gaiman is a prolific British writer who is perhaps best known as the mastermind behind the popular and ground-breaking Sandman comics. His novels include Good Omens (co-written with Terry Pratchett), Neverwhere (which was done as a TV movie by BBC), and his most recent work, Stardust.

Stephen Gallagher A Terrible To-Do about Voodoo: an interview with Stephen Gallagher
conducted by Sandy Auden
"Voodoo is actually quite a sweet natured religion. I'd always fancied doing something about the reality of voodoo, but there are frequently surprises with the way a project can work out."

Oktober Stephen Gallagher
An interview with David Mathew
A decade later, Stephen Gallagher has returned to horror fiction. He has adapted his novel, Oktober, for television -- three one-hour episodes for ITV in the UK. David talked to him while the episodes were being filmed earlier this year.

Eric Garcia A Conversation With Eric Garcia
An interview with David Soyka
On where stores shelve his books:
"Yes I care in the sense that to me, it's not exactly a mystery novel. If you were to force me to put it into a genre, I would say, first and foremost, that it's a comedy. But of course, most bookstores don't have a comedy section; they have a humour section, and it's mostly filled with Calvin and Hobbes collections. But my next choice would be to call it science fiction/fantasy, because the central conceit is clearly one that is not of this world/time. Then I'd go for mystery after that."

David Gemmell Heroic Intentions: an interview with David Gemmell
conducted by Sandy Auden
"When I was young, I was arrested several times and once sent for reports. The psychologist said I was a psychopath. I found this mildly alarming. He pointed out that it didn't have to be a bad thing. I can be utterly single minded and screen out everything in order to complete a task. That's why I've never missed a deadline."

Mary Gentle A Conversation With Mary Gentle
An interview with Rodger Turner
On writing of medieval life:
"I've tried to replicate what medieval life would have been like, in so far as that can be done with a twentieth century mind. I got very fed up of "medieval fantasies" in which there are, plainly, off-stage, flush toilets and liberal democracies. Ash doesn't have those, and the people (I hope) react accordingly."

Dave Gibbons A Festival of Delights: an interview with Dave Gibbons
conducted by Sandy Auden
"I tend to want to get the script right before I start drawing, but I'm thinking of both as I write. I might modify the script a little as I draw it. The bit I really enjoy is the visual storytelling and that overlaps both sides of the boundary, so there's no strict mental divide. Writing is more about ideas while drawing is more about craft."

William Gibson A Conversation With William Gibson
An interview with Donna McMahon
On not using Vancouver in his fiction:
"The reason I don't do Vancouver is that I wouldn't want to have to... transfigure it. It's a very personal thing. I would have to become aware of the psycho-geography of Vancouver in a way that I prefer not to. I have these interior maps of New York and London and Tokyo and Los Angeles that I can keep very stark because I'm not in those places that often. But doing it here would change my relationship with the city."

Greer Gilman A Conversation With Greer Gilman
An interview with Sherwood Smith
On beginning stories:
"What I have is a junk heap, a congeries of stuff. A rag tag, a rat's nest. A button box of words. I jackdaw anything: this bit of wordplay, that Vermeer. Ravellings of ballads, rags of folklore, postcards of old farm tools, shards of myth. All things that fascinate me, riddles that I worry at. I brood on this; I try to make something of it, turning it this way and that. I'm clueless."

John Glen Bond Director Speaks: an interview with John Glen
conducted by Sandy Auden
"As an editor you spend your whole time in a darkened room cutting other peoples mistakes together, trying to make the best out of it that you can and you learn from these mistakes. Then there's directing the action scenes, it's a reverse process to the editing. I got so used to editing action sequences, that as a director I could easily break it down into its component parts."

Steven Gould & Laura J. Mixon A Conversation With Steven Gould & Laura J. Mixon
An interview with Jayme Lynn Blaschke
On writers married to writers:
"We share an office, and there's this really nice feeling when you work at home. Writing is a very lonely profession, and when you write books, you don't get feedback for years. When I was an industrial engineer, I got feedback on a daily basis. It can be very lonely, and to have somebody right there in the office working too -- I just, look up and I look over, and I just kind of smile. So I think the thing about "don't marry a writer" is -- they're full of it. I think the smartest thing I ever did was to marry a writer. Period."

Simon R. Green A Conversation With Simon R. Green
An interview with Lisa DuMond
On a model for the lovely and lethal Princess Julia:
"Julia came about as a deliberate reaction to the kind of female characters I was used to seeing in F&SF when I was starting out. Prizes to be rescued or fought over, sex kittens or femme fatales. Just images, with no reality to them. Boring. I wanted to see some real women, just for a change. And since I've always been attracted to strong women who know their own mind..."

Jon Courtenay Grimwood An Exotic Sprinkling of Murder: an interview with Jon Courtenay Grimwood
conducted by Sandy Auden
"I went to Tunis and the medina for the Ashraf Bey books but I based El Iskandryia on many different places. The broad plan was based on Alexandria, but I nicked bits of Palermo, Valetta and Tangiers too. And then there was Marrakech. You'll notice that food turns up in the books a lot."

Jon Courtenay Grimwood A Conversation With Jon Courtenay Grimwood
An interview with Rodger Turner
On the results of WWI:
"I have a strong feeling, from reading contemporary newspapers, that no one expected the collapse of the numerous German kingdoms that made up Wilhem's empire or the complete break up of the Austro-Hungarian, Russian and Ottoman empires. At least not until very late in the day. In fact, I think that our version of Europe was the unlikely one, driven probably by implications of the break up of Russia."

James Gunn A Conversation With James Gunn
An interview with Trent Walters
On SF magazine circulation:
"I think shrinking SF magazine circulation is due to competition from television -- which spelled the demise of the other magazines, the slicks as well as the pulps, though the slicks were killed by a switch in advertising and the pulps by the easier and cheaper availability of undemanding narratives. The SF magazines, though, may survive on the economies of publishing and circulation and the hard core readership that finds in the magazines a quality of speculation and idea that TV does not even aspire to."

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