American Gods | ||||||||
Neil Gaiman | ||||||||
William Morrow, 432 pages | ||||||||
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A review by Lisa DuMond
Shadow, betrayed and abandoned by his own personal god, is the perfect liaison in the showdown that is
coming. As the gods of our present and future prepare to battle the ancient ones, an empty shell like Shadow
may well be the safest thing to be. If, that is, there is any place on Earth that is safe. Some of
the places in which our hollow hero is about to find himself don't even appear on any of our maps. On
every step along the journey he will suffer for our perceived sins.
Dark though the subject matter may be, American Gods is easily Gaiman's most amusing and
entertaining work since Good Omens, his brilliant collaboration with Terry Pratchett.
Interestingly, there are some plot points in common between the two novels -- here is clearly a theme that
Gaiman tackles with glee and aplomb. If his name is not a household word yet, this book could well be
the one that lands him that status.
American Gods has "Hollywood" written all over it. In the best sense possible.
The scope of this novel is reminiscent of King's The Stand, without the gratuitous 100,000 words here and there.
Gaiman's command of language allows him to flesh out a character, build a setting, establish a mood, with a
few dazzling, concise brush strokes. His artistry is such that, throughout the book there are phrases and
passages that arrest the reader; words that deserve to be pulled out as a quote, an example of how we all
wish we wrote. Or, how we wish all fiction could be written.
In a genre where cutting-edge has come to mean more graphic, more shocking, more
disturbing, Gaiman represents the finest of another force in dark fantasy. While he does not flinch
from violence and gore, neither does he depend upon it to carry his work. Many have said that Gaiman is
the new face of horror fiction -- who could ask for a better poster-child?
American Gods is a dark, mesmerising adventure into the innermost reaches of the human heart
and mind. The characters we meet along the way are distinctive and unforgettable, aspects of our own
fears, desires, and weaknesses. What are they, really? Gods? Figments of our imagination? The only one
who can decide that is you. Read Gaiman at his best and come to your own conclusions.
When the time comes for awards for 2001, expect to see this novel on every short list, if not in the
winner's slot itself. Hard as it may be to believe, Gaiman has managed to top himself with a story that
merits the label of classic.
In between reviews, articles, and interviews, Lisa DuMond writes science fiction and humour. DARKERS, her latest novel, was published in August 2000 by Hard Shell Word Factory. She has also written for BOOKPAGE and PUBLISHERS WEEKLY. Her articles and short stories are all over the map. You can check out Lisa and her work at her website hikeeba!. |
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