Advertisement

Now this is my idea of what science fiction ought to be -- believable characters facing difficult and not entirely resolvable conflicts in a futuristic setting where plot and pacing take precedence over arcane technical speculation and long-winded philosophical digressions. Which is not to say that Sarah Zettel doesn't have something weighty for us to ponder in Playing God -- right off the title tells us there's something here to think about. But unlike some more ponderous practitioners in the field, Zettel's storytelling skills posit the bigger questions without the pedantry. Indeed, Zettel's considerable gifts to spin a yarn have been compared to Asimov and Heinlein, but if you ask me (and since you're reading this, like it or not you already have), she's better. Sorry, all you die-hard Golden Agers out there, but there are times when the two Grandmasters get downright tedious, even ridiculous. Despite an occasional stumble (a confrontation that sets the plot rolling strikes me as incredibly unthinking for an otherwise smart character, though certainly a fair share of actual tragedies have resulted from amazing thoughtlessness), Zettel has produced the classic page-turner that sticks in your head long after you finally arrive at that last sentence.

One nice trick up Zettel's prose sleeve is how she gets you to sympathize with the aliens as much -- if not more so -- than the humans. Praeis Shin is an exiled Dedelphi -- a matriarchal humanoid society with a heightened sense of tribalism -- called back to her native planet to muster support for a fragile new Confederation formed to cease an endless war between two major factions, the t'Theria and the Getesaph. Though neither trusts the other, biological warfare (initiated by the other side, that side always depending upon which side you're talking to) has decimated their planet and their people. But because they possess only primitive late 20th century technology, the Dedelphi Confederation must place the fate of their world in the hands of humans -- specifically by contracting with the Bioverse Enclave, a sort of corporate clan, to biologically scrub and reconstruct the Dedelphi eco-system. What's in it for Bioverse? Unlimited access to radiation-hardened inorganic debris and living organisms representing a singular source of biochemistry that can be tapped for future lucrative eco-reconsturction projects. So Bioverse's interests here are not purely mercenary. And what's in it for the Dedelphi? The prospect of a plague-free future for their children. The question is whether the powerful inherent feelings of family can overcome their equally powerful -- and certainly related -- xenophobia.

As Zettel puts it in her afterword:

"All societies that evolve violent survival strategies (at least all the ones we know about) also evolve rules about who may be hurt or killed, and under what conditions. If a culture is not completely suicidal, some concept of peace, friendship, or trust must exist side by side with the violence. With the concept of killing comes the concept of not killing. The existence of these ideas can give a freedom of choice to individuals in their daily interactions, even when those are with strangers. The ultimate question is: Which way will the balance tip: toward evolutionary predisposition, cultural condition, or individual choice."

David Soyka is a former journalist and college teacher who writes the occasional short story and freelance article. He makes a living writing corporate marketing communications, which is a kind of fiction without the art.