| SEWER, GAS & ELECTRIC: The Public Works Trilogy | |||||||||||||||
| Matt Ruff | |||||||||||||||
| Atlantic Monthly Press, 447 pages | |||||||||||||||
| | |||||||||||||||
| A review by Leon Olszewski
Thus begins a wild romp set twenty-six years from now. We meet an outrageous cast of characters --
from Philo Dufresne, a black man raised by the Amish and now an eco-terrorist (who
refuses to kill anyone) in the submarine Yabba-Dabba-Doo; to Kite Edmonds, a 181-year-old,
one-armed veteran of the American Civil War. Add in a hurricane lamp that contains the holographic
image and personality of Ayn Rand, a cybernetic beaver, a mutant great white shark living in
the sewers of New York, and you get a tale unlike nearly anything written in the past twenty years.
Sewer, Gas & Electric can be read either as a light-hearted SF story, or as satire.
There are great similarities both to Kurt Vonnegut and to Jonathon Swift's
Gulliver Travels (not as we read it today, but as it was not doubt read soon after it was written).
Some people will see similarities to Neal Stephenson.
A lot of the humor is slapstick, but it lampoons society, making it more akin to the Marx
brothers than the Three Stooges. Matt Ruff takes on Catholicism,
feminism, ethnicism, ecology, political correctness (he calls it P.U. -- "philosophically
untenable"), and Ayn Rand's Objectivism. Fortunately, the reader does not have to read the
1084-page, 8-point tome of Atlas Shrugged to understand the story. Matt provides a short
synopsis covering the book's major themes, just so you get the point.
One of the great features of the story is the little asides that abound throughout, putting
the future world (and ours) in place. They include:
These pastiches capture the bits and pieces, the absurdities of life. And it helps keep you guessing about
which of them will return later, either as a plot element or an integral piece in a larger patchwork.
The major problem with the book is the section in which the author debates the philosophy of
Ayn Rand, done via dialogues between Joan Fine and the holographic Rand. I think
that Matt Ruff was trying to have the debate he never had during his
philosophy courses. It slowed the pace of the story, and dragged on longer than it should have.
This book is not for everyone, particularly those who dislike humor directed at themselves.
Readers that can take a joke will have a fun time.
Leon Olszewski grew up in southern Illinois and attended the University of Illinois. He has never been in the Sears Tower in Chicago. |
|
||||||||||||||
|
|
If you find any errors, typos or other stuff worth mentioning,
please send it to editor@sfsite.com.
Copyright © 1996-2008 SF Site All Rights Reserved Worldwide