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The Great Escape
Ian Watson
Golden Gryphon Press, 283 pages

The Great Escape
Ian Watson
Ian Watson was born in 1943 and brought up in the North of England. He attended Oxford on a scholarship to read English. Married while at Oxford, his wife Judy also came from Tyneside. After leaving school, he became a lecturer in Literature in Dar es Salaam, Tanzania then Tokyo. Returning to Oxford, he taught in Birmingham a few days a week, writing during the daily commute. The Embedding, his first novel, appeared in 1973. In 1976, he became a full-time writer. He and his family live in Moreton Pinkney, a village in Northamptonshire.

ISFDB Bibliography
Ian Watson Tribute Site

Past Feature Reviews
A review by Greg L. Johnson

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"...for me it is strangeness that brings a story to life and makes it real and believable."
–Ian Watson, in the introduction to The Great Escape
The safe, sure way for a writer to gain an audience is to find something that works, and then keep working it, expanding your readership without losing your original fans. It's a tried and true method that has been used by many an SF writer (not to mention more than a few songwriters), and one that it is quite evident Ian Watson never heard of. His collection, The Great Escape, displays the talents of a writer who is equally at home in, and brings an individual slant to, science fiction and fantasy, comedy and drama, philosophy and farce.

Four of the first five stories in the collection form an excellent example. "Three-Legged Dog" is a psychological drama, following a young woman whose "accidental" death is causing her to haunt her husband, a genius among computer game designers. Her fears turn toward ambition as she learns to invade his gaming world and use it to her own ends.

In "The Shape of Murder", the passengers on a space liner in hyperspace, deprived of the drugs that prevent hallucinations, create the presence of a well-known fictional detective when a murder unexpectedly occurs. Not only is the famous detective completely true to character, the novel situation produces a drawing-room scene in which the mystery is solved in an altogether unique fashion.

The title story of the collection follows the daily routine of the Impresario Angel as he glides above the torments of Hell, exposing them to viewers from Heaven. But on this day his curiosity as to what the denizens of the inferno really talk about leads him to discover demons engaged in a plot to journey to Heaven. And that's where he always wished he was.

Then "Caucus Winter" re-visits the old nightmare of Colossus, the super-computer seizing control of the worlds arms systems. This time the computer is a new quantum computer, hacked into by U.S. right-wing extremists in order to hold the world hostage tom the threat of nuclear missiles. Watson both updates and twists the premise just enough to make the vision truly chilling once again.

The collection continues on, running the course from fantasy to hard science fiction, all with an idiosyncratic bend and all told with an impeccable sense of style. The Great Escape is a collection of stories to fit every mood of the reader who doesn't feel compelled to stay in one niche, but instead is looking for quality wherever he or she may find it.

Songwriters who are perceived as too eclectic sometimes fail to connect with any lasting audience. Their ability to mix styles actually works against them. Ian Watson's career is good evidence that in science fiction that problem can be avoided. His regularly published novels and stories nominated for major awards are testimony that the SF community has a place for a writer who doesn't necessarily stick to one kind of story or style. That's good for Ian Watson, and good for us.

Copyright © 2002 Greg L. Johnson

Reviewer Greg L. Johnson enjoyed being pulled out of his home in Minneapolis, Minnesota by Ian Watson's sense of strangeness. His reviews also appear in The New York Review of Science Fiction.


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