| Spider-Man 3 | ||
| Directed by Sam Raimi | ||
| Written by Sam Raimi & Ivan Raimi and Alvin Sargent | ||
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Rick Klaw
Traditionally, third chapters of franchise series suffer a significant drop in quality when compared to their
predecessors. Superman 3, X-Men 3, Return of the Jedi, Batman Forever, Godfather:
Part III, and Army of Darkness all disappointed. The only successful franchise to offer a superior third
film, the James Bond series, followed up two exceptional features (Dr. No, From Russia With Love) with
the genre-defining Goldfinger.1 Thankfully, Spider-Man 3 falls in the James Bond category.
Opening as the previous films with a sensational Kyle Cooper-designed kaleidoscope sequence interspersed with scenes from
the first two chapters, Spider-Man 3 picks up from the end of Spider-Man 2 with all the major players and
unresolved plot lines returning. Peter Parker and Mary Jane (again portrayed by Tobey Maguire and Kirsten Dunst) explore
the next level of their relationship. Harry Osborn (John Franco) seeks revenge for the death of his father, the Green
Goblin. Spider-Man enjoys unprecedented levels of popularity as media star. Chaos quickly ensues with the appearances
of the bent-on-revenge Harry as a Green Goblin Jr. of sorts, the new super-villain Sandman adding a new twist to the
Uncle Ben story, and a mysterious symbiotic alien wreaking havoc in Peter Parker's life. Director Sam Raimi effortlessly
weaves the various threads into a complex web of compelling action.
A continuing fight with his best friend, startling revelations about the death of his beloved Uncle Ben, and relationship
troubles push Peter through a wide gamut of feelings from guilt to shame to fear, and eventually, to rage. The talented
Maguire expressed this wide range effortlessly and believably.
The acting throughout Spider-Man 3 achieves a quality not present in the previous movies. Franco and especially Dunst
are obviously comfortable in their roles. Oscar-nominated Thomas Haden Church expertly plays the conflicted, yet
simple-minded Sandman. As the deranged Venom, Topher Grace displays previously unseen acting skills. Bruce Campbell's
memorable portrayal of a stereotypical farcical French host in an upscale French restaurant offered a much-needed moment
of levity.
Unlike the previous chapters, Christopher Young replaces Danny Elfman as the original score composer. Young lacks his
predecessor's expertise with super-hero and strange cinema. At times the music jars and lacks fluidity.
With three villains, the plot and the screen sometimes seem cluttered. The Sandman/Uncle Ben subplot feels recycled and
beyond offering some really snazzy special effects, it adds little to the film.
The first two Spider-Man installments established new standards in super-hero movie storytelling, thrilling audiences with
superior special effects, riveting storytelling, and quality acting, all while staying true to the source
material. Ultimately Raimi, who has claimed this will be his last Spider-Man picture, rose to the challenge successfully
resolving all dangling plot threads and storylines satisfactorily. Spider-Man 3 is an excellent addition to an
amazing movie series.
Regular SF Site contributor, Rick Klaw is the author of Geek Confidential: Echoes From the 21st Century and has written about super-heroes and movies for Moving Pictures, The Austin Chronicle, RevolutionSF, and other venues. A lifelong Spider-Man fan, Klaw first learned to read so he could understand the webslinger. | ||
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