| Embryo | |||||
| Charles Wilson | |||||
| St. Martin's Press, 304 pages | |||||
| A review by Lisa DuMond
Embryo isn't going to do anything to taint that reputation. This
is a perfect example of how to plot a best-seller.
And how to build up a loyal following. Charles Wilson fans everywhere
have probably been waiting feverishly for this novel since they finished
the last page of Extinct.
Here's another story readers can sink their teeth into.
Imagine a child born, not from a woman's womb, but from an artificial
womb (and you thought the abortion issue was out of control now). How
will human beings react to machines bringing embryos to term? What kind
of life will these "engineered" children have in a world crammed with paparazzi
and tabloid news addicts? Is there the slightest doubt in your mind that
this would become an ideological war zone?
Think about it, because this is not a question of if, but when.
In Embryo, the time is now. All it takes is one woman, unable
to bear her own child, with enough determination and enough money to
find a way it can be done. That woman must find the one doctor on Earth
who has succeeded in artificial gestation. To do that, she will involve
a small-time firm of skip-tracers to track the man down. No matter how much he wants to remain hidden.
Embryo jumps from the suburbs of Biloxi to the poverty of rural Mexico
and then to the big power of Los Angeles. Characters appear and disappear almost as
quickly as the scene shifts. Subplots creep in from every side until it seems
that the threads will never pull back together into a whole story.
Fear not -- Wilson is on top of the situation. Just let me give you two
suggestions: remember every character that pops up, and don't get too
attached to them. You couldn't swing a slot machine without hitting a corpse in this one.
But what about the weaknesses in the book? All right. Some cutting would be
welcome to tighten the narrative up a bit. Some conclusions are so obvious
it is almost disappointing when things turn out the way you expect. Some
of the characters are shameless stereotypes. Some dialogue...
You couldn't give a &%@$ about any of this; you just want to read a good
story. Fine. Embryo is going to do it for you. After the first scene
you will be hooked. Especially after this first scene. Shudder.
Pick up a copy -- everyone else is going to be after the ad campaign
hits. Don't be the only commuter who isn't reading it. How gauche! And
expect to have your beliefs challenged, if not your intellect. Just enjoy the ride.
Lisa DuMond writes science fiction and humour. She co-authored the 45th anniversary issue cover of MAD Magazine. Previews of her latest, as yet unpublished, novel are available at Hades Online. |
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