| The Crown and Court Duet Crown Duel and Court Duel | ||||||||||
| Sherwood Smith | ||||||||||
| Harcourt Brace Books, 214 and 245 pages | ||||||||||
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A review by Rich Horton
I remember with fondness the
days of the so-called "Juvenile to Please Adults" books, and I
still read with pleasure Heinlein's juveniles, for instance. I celebrate all attempts to publish full-fledged
SF/fantasy for young adults which will still be good reading for,
say, me. To this end, Tor's Jupiter series of YA Science Fiction
deserves praise, and Jane Yolen's now defunct series of YA Fantasy,
published by Harcourt Brace, deserves praise, and lamentations at its end.
Sherwood Smith, co-author (with Dave Trowbridge) of the much prized,
hard to find, space opera series collectively titled Exordium,
and of a few novels with Andre Norton, wrote five YA fantasies for Jane Yolen
Books. The Wren Trilogy is an engaging series of books about 12-year old
Wren, and her discovery of her magical abilities amidst threats of
war. Better still are The Crown and Court Duet, two
books set apparently in Wren's world, featuring 16-year old Countess
Meliara Astiar, and her bumbling but passionate entrance into the
worlds of politics and war.
The first book is Crown Duel. Meliara, who narrates the books, and her brother
Bran are struggling to make ends meet after the death of their
father. They are now Count and Countess of Tlanth, a remote hilly
portion of the Kingdom of Remalna. The corrupt King is raising
taxes, and, worse, appears to be ready to violate the Covenant
humans have with the mysterious hill folk. Humans have agreed to
leave the forests undisturbed, especially the beautiful colourwood
trees, and in exchange the Hill Folk supply the humans with magical firewood.
Meliara and Bran are very poor, partly from trying to deflect the
burden of taxation from their people--thus, they live more like peasants
that peers. The two are just reaching the age at which they will start
to pair, and eventually marry. But Meliara, at least, evinces no interest in such things.
As the book opens, the political situation comes to a head, and
Meliara, Bran and their people rise in revolt. Smith entertainingly
describes an ill-run war, which after some early success leads to
humiliating defeat for the poor, undermanned Tlanth
people. Meliara is captured, and taken to the Remalna capital city.
She encounters the Marquis of Shevraeth, proud commander of the
King's forces whose skill had turned the tide against Tlanth,
and takes a sudden fierce dislike to him. The book continues with
harrowing escapes, nicely described wandering through the backroads
of the country, and a final confrontation with the King's forces.
Court Duel takes up after the war. The bad King has been
vanquished, and the Marquis of Shevraeth is the leading candidate
for the throne. The court is full of political wiles, however, and
some people think Meliara or her brother should either push their
own claims or support another.
Meliara at last consents to spend
some time in court and we are treated to some entertaining descriptions
of artificial court life and manners, including details resulting
from things like not being able to use wood for furniture. She is
a fish out of water, and finally finds a secret friend, with whom
she exchanges a series of letters in which she is able to express
her concerns about the false nature of court life, even as she
begins to understand the reasoning behind the rules. Meliara remains confused about who her real friends are, and
about whether the Marquis -- who is clearly capable but whom she still
distrusts -- or some other claimant, should be King. The matter is
pushed to a head by a very interesting, slightly underused (I thought)
character, a man named Flauvic who also has a claim to the throne,
and who has spent some time learning powerful magic in a foreign
kingdom. The general shape of the ending is easy to see in
advance, but the details are nicely revealed.
Both these books are, first of all, great reads. Very few books
keep me up at night to finish them, but Crown Duel
did, and I took an unplanned extended lunch break to finish
Court Duel. They are nice formal contrasts: the first
almost all action and war, the second more magic and formal
court life. If I had a mild complaint, it would be that in both
books the Hill Folk serve as sort of dei ex machina. But
this is minor, and does little to detract from the pleasures of
reading these two books.
I'm not quite ready to rule on how these would appeal
to the supposed target age group (teens, I would think), though
I'm sure I'd have loved them then, just as I did now. Among other
things, they feature a well-done, very understated, sexual
tension, never vulgar, that greatly enhances our interest in the
main characters. The world they inhabit isn't quite
fully-furnished; I don't think books these short can do that, but
the odd details are telling and nice. Highly recommended -- buy
them fast before they go Out of Stock Indefinitely.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in the St. Louis area and is a regular contributor to Tangent. Stop by his website at http://www.sff.net/people/richard.horton. |
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