| Dr. Strangelove - Or How I Learned to Stop Worrying and Love the Bomb (****) | ||||||
| Directed by Stanley Kubrick | ||||||
| Written by Peter George (novel) and Stanley Kubrick | ||||||
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Rick Norwood
I'm a big fan of wide-screen movies, but the two DVDs reviewed in this issue prove that
full-screen can be good and wide-screen bad.
When I found out that the DVD of this classic was not in wide-screen format, I turned it
off and resolved not to watch it. But then I read the liner notes. It seems that one of Stanley
Kubrick's last projects was to personally oversee the transfer to DVD of several of his films.
The DVD of 2001 is wide-screen. Kubrick chose not to do Dr. Strangelove in wide-screen. I
decided to give it a fair viewing.
Within minutes, I was lost in the film, and forgot all about the invisible wall between me
and the action. Truly one of the greatest films of all time, this is a pristine version that is easy to
get lost in. The transfer is so crisp that you can see every detail of the aircraft's instrument panel,
every gesture of George C. Scott's over-the-top performance.
The highest praise I've heard for this film was in a review on amazon.com. A teen wrote
that his parents had to force him to watch the film, because it was, you know, black and white.
But he loved it. So, if you've been trying to educate your teen about black and white, this is the
film that should do the trick. The same is true if you are a teen, and want to find out what black
and white is all about. If I can learn better about wide-screen vs. full-screen, then Dr. Strangelove on
DVD has something to teach all of us.
It says on the case that "Because this particular movie was originally photographed with
MULTI-ASPECT RATIOS the proportions of the screen image will change periodically
throughout the film." Sounds awful, like that early Ben-Hur on Beta that jumped to wide-screen for
the chariot race or the Bridge on the River Kwai on VHS with wide-screen only in the opening
minutes.
This DVD is nothing like that. If there are changes in the aspect ratio, I was totally
unaware of them, which is the only way that changing aspect ratio could be called a success.
I recently watched Stanley Kubrick's Spartacus (***) on DVD and was disappointed, both
because the DVD had bugs in it and because the film really loses momentum the minute Tony
Curtis walks on screen. I have no inside information about Stanley Kubrick's sexual orientation,
and don't want to know, but many of his films have a gay sensibility, and sometimes it gets in
the way of the story. After the scene between Tony Curtis and Lawrence Olivier, Spartacus
comes to a screeching halt. (Do keep watching, if only for the scene with Peter Ustinov and
Charles Laughton, which is wonderful.)
But I seem to have gotten off the subject. Wide-screen doesn't help Spartacus. Full
screen doesn't hurt Dr. Strangelove. I'm looking forward to Kubrick's DVD version of A Clockwork
Orange.
The first three really good SF films were all by Kubrick. Don't get me wrong. I love
Things to Come (****), Destination Moon (****), and Forbidden Planet (****), but there are
parts of each that make me blush and shuffle my feet when I watch them. Dr. Strangelove, 2001, and
A Clockwork Orange are first rate films by even the highest standards.
I watched every single one of the Battlestar Galactica episodes when they were originally on the air. I knew they were bad even then, but I watched them, and enjoyed the good bits. I still have my Dagget action figure. But, I'm older now, and my time is more valuable. I like the ship models and the music, but as soon as the deeply stupid Glen A. Larson script had one of the spaceship pilots say "Lower the breaking flaps" I started to fast-forward, and soon found myself mercifully listening to the end credits music.
Rick Norwood is a mathematician and writer whose small press publishing house, Manuscript Press, has published books by Hal Clement, R.A. Lafferty, and Hal Foster. He is also the editor of Comics Revue Monthly, which publishes such classic comic strips as Flash Gordon, Sky Masters, Modesty Blaise, Tarzan, Odd Bodkins, Casey Ruggles, The Phantom, Gasoline Alley, Krazy Kat, Alley Oop, Little Orphan Annie, Barnaby, Buz Sawyer, and Steve Canyon. | ||||||
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